- Why mixing in mono is the secret?
- Should vocals be mono?
- Should kicks be in mono?
- How loud should hi hats be in a mix?
- How do professionals mix their vocals?
- Why should I mix in mono?
- Should my drums be in mono?
- Should hi hats be mono or stereo?
- Is stereo louder than mono?
- How do you master your vocals?
- Can you pan in mono?
- What should be mono in a mix?
- Should you pan hi hats?
Why mixing in mono is the secret?
When we mix in stereo we can separate mix elements out in the stereo field to make them easier to hear.
When we collapse the mix to mono, these different elements start to obscure each other again.
The fact is, that if your mix isn’t clear and punchy in mono – it just “isn’t ready yet”..
Should vocals be mono?
The lead vocal should be in mono and central in the mix but the BVs can have as much width as you like. Keep it balanced, pan as many left as you do right.
Should kicks be in mono?
I would recommend having your kick in pure mono. But its not detrimental to have a small amount of width on your bass. Just don’t take those low frequencies too wide.
How loud should hi hats be in a mix?
The thing you want to create is a “nice even sound” as when your song gets mastered the low and top end will become much louder and much more defined than before. If you absolutely must have a volume level for your hi hats, I would suggest -20 db.
How do professionals mix their vocals?
7 Simple Tips to Mix Vocals Like a ProBring Them in Early. The beginning of a mix is like a blank canvas. … Process Them in Context. The solo button is your enemy. … Use Pre-Delay. … Find the Right De-Esser. … Avoid Ultra-Fast Attack Times. … Don’t Rely on Compression Alone. … Pay Attention to Breaths and Other Noises.
Why should I mix in mono?
Well, it’s generally much harder than mixing in stereo, but you’ll get much better results for your effort. The fact is that when you mix in mono you can really only separate different instruments by using differences in their relative levels and spectral content.
Should my drums be in mono?
It’s a good idea when mixing, to check your mix in mono and listen to hear if anything disappears. If so, you have phase issues and you then check the tracks that might be getting lost a bit and adjust them. It’s a good idea when mixing, to check your mix in mono and listen to hear if anything disappears.
Should hi hats be mono or stereo?
Hats usually do get some panning and/or stereo expansion. It varies a lot from piece to piece, but hats are usually *not* left in mono. Cymbals are usually off to the side, but like hats, the choice is up to you. “Better” is in the end, just your own personal choice.
Is stereo louder than mono?
As you already know, stereo signals use two channels, one for the left side and one for the right side. … Therefore, stereo can’t be actually louder than mono. But, it can definitely sound louder due to the extra width that appears on stereo signals and disappears on mono signals.
How do you master your vocals?
10 Ways to Make Vocals Sound Modern & ProfessionalTop-End Boost. This is perhaps the easiest and fastest way to make a vocal sound expensive. … Use a De’Esser. … Remove Resonances. … Control the Dynamics with Automation. … Catch the Peaks with a Limiter. … Use Multiband Compression. … Enhance the Highs with Saturation. … Use Delays Instead of Reverb.More items…•
Can you pan in mono?
The concept of panning is straightforward with mono tracks (as described above), but possibly less so with stereo tracks. Some DAWs feature two pan controls for each stereo track—one positions the left side of the signal, the other the right.
What should be mono in a mix?
A mono mix is when your music, recordings, or any other type of audio is played at equal volumes out of both speakers (no panning), meaning the listener won’t experience two separate channels but one single channel (called the center channel or mono channel) in the center of the stereo field.
Should you pan hi hats?
By panning hi-hats to the sides, everything that’s left in the center will get more attention, simultaneously making the mix feel wider and more rhythmic. For hip-hop and electronic tracks, I like to pan hats 30–50% away from the center. … One idea is to pan a closed hat to one side and an open hat to the other.